There is a certain schizophrenic lady who patronizes my local library. When she’s not busy sating her hypergraphia by filling notebook after notebook with head rattling nonsense, she sometimes takes a few moments to rant at, and occasionally attempt to kick, anyone she can get cornered. I occasionally find myself trapped, often in an elevator, and at the receiving end of one of her patented tirades. The thing is, unlike everyone else at the Library, I kind of like it. I enjoy feeling that I’m just a hair away from understanding the complicated rules of a strange alternate reality. I keep looking for the one clue that will bathe me in the white light of epiphany as I finally see the blindingly obvious reason why Robert Redford and Dustin Hoffman have tasked her with deciding which Angel Level Joseph Kennedy has achieved, vis a vis the Purgatory Diamond Age. At the same time, I realize that this lady is 100% completely and totally batshit crazy and is liable to start spitting on me at any moment, a constant danger which is kind of exciting in its own right. This song makes me feel the same way. Singer/lyricist Peter Quinn’s hallucinatory cloak and dagger Henry Miller lyrics feel like they’re about to coalesce into a pretty awesome something (and are perhaps even more interesting because I know they never will), and that ramshackle groove is the perfect accompaniment to the man's hugely entertaining flow of low level madness.
We are a diverse team of musicologists who have developed an exclusive algorithm we use to determine the one million best songs ever written. We then leverage the extraordinary power of advanced computational technology to bring the top one million to you, listed in precise order, via this web log.
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