
And that’s the subtext for the whole song, really. Soft rock helped men mellow out and discover their feelings, and like many folks noticing their own emotions for the first time, their expression is awkward, simple, and uncomfortably direct. There’s rather too much significance attached to personal feelings simply by virtue of their being personal, or perhaps the amazement at having learned how to pay attention to this sort of thing on a very basic level. Either way, there’s a pride of ownership and a celebration of the interior self that isn’t quite proportionate to what it communicates to the rest of the world. So “Superstar” tells us not only which artists Paul Davis enjoys, but how they make him feel. Basically, they make him feel good. With their music. So he LOVES them. As people. And as women, if the shoe fits. Their music sounds good to him. It makes him see. He has to personally thank them for what they are, because of what they mean to him. It’s entirely personal, as opposed to Arthur Conley shouting “Do ya like good music?! Ha! Whoa yeah!”
But on the other hand, what’s so wrong with that? Is this guy really a weenie? He’s just being honest. Is my discomfort with his clearly visible emotions just a projection of my own fear of vulnerability? Hasn’t recent research shown that people with active social lives and meaningful relationships live longer? Couldn’t we all use a little more openness and warmth with the people in our lives? Wait…on second thought, the people he’s being open with aren’t actually in his life, and he’s sort of trying to bone Joni Mitchell. Never mind.
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